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Études de cas

What is RT60?

What is RT60?

RT60 is a traditional metric used to measure reverberation time, specifically, how long it takes for sound energy to decay by 60 decibels after a sound source stops. While it is often viewed as a dead-room goal, we treat RT60...

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How to Build a Podcast Studio for Clear Audio

How to Build a Podcast Studio for Clear Audio

The explosion of podcasting and digital content creation has made high-quality audio more accessible than ever. However, many creators make the mistake of over-investing in expensive gear while completely overlooking the most critical component of the signal chain: the room...

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How Thick Should Acoustic Panels Be?

How Thick Should Acoustic Panels Be?

The short answer to how thick an acoustic panel should be depends entirely on the frequencies you need to control. For basic speech clarity in an office or hallway, a two-inch panel is the effective minimum to manage the mid-range...

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Guide to Home Theatre Acoustic Treatment

Guide to Home Theatre Acoustic Treatment

The quality of your home theatre experience is dictated by the interaction between your speakers and your room. While high-end sound systems provide the potential for greatness, the room acoustics decide whether that potential is realised or lost to distortion....

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Updating Mapa Studios with acoustic treatment from GIK Acoustics

Updating Mapa Studios with acoustic treatment from GIK Acoustics

Madrid, Spain Mapa Studios, based in central Madrid, is a long-established music studio which runs five rooms for recording, mixing and production, supporting a mix of external bookings and label-led sessions. The studio is also home to the European base...

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Transforming Zach Adams’ Studio

Transforming Zach Adams’ Studio

When people ask what the GIK consultation process actually looks like, Zach Adams’ Nashville studio is a strong example because it reflects what many of our clients are doing. Zach is a professional producer and recording engineer working out of his home in a dedicated room.

This project gave us the opportunity to show, step by step, how we approach a real working room for an audio professional. Not an idealised diagram. A real space with angled ceilings, windows, doors, aesthetic preferences, and multiple functions.

Here’s how we tackled it.

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Case Study: Designing a Next-Generation Mastering Room for Adam Ayan

Étude de cas : conception d'une salle de mastering nouvelle génération pour Adam Ayan

Adam Ayan, ingénieur du son récompensé aux Grammy Awards, s'est associé à GIK Acoustics pour créer une salle de mastering qui surpasse les performances de son ancien espace chez Gateway Mastering. Grâce à un système entièrement modulaire composé de blocs acoustiques Sound Blocks de 10 pouces, de pièges à basses Soffit Bass Traps et de diffuseurs Q7D, la conception a permis d'obtenir une précision acoustique de classe mondiale sans construction permanente. Des tests approfondis ont confirmé des temps de déclin exceptionnellement réguliers, un contrôle précis des basses fréquences et une réponse en fréquence uniforme sur tout le spectre. Le résultat est un environnement de mastering non seulement techniquement supérieur, mais aussi flexible, évolutif et entièrement transportable : une nouvelle référence en matière de conception de studios modernes et performants.

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Home Mixing Studio with Jonathan Wyman

Studio d'enregistrement à domicile avec Jonathan Wyman

Jonathan Wyman est un producteur, mixeur et ingénieur qui a commencé sa carrière à 19 ans. Depuis, il a produit et mixé plein de projets dans différents genres musicaux et a bossé avec des pros comme Tony Visconti, Matt Wallace,...

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Neil Balfour - Before and After audio with the PIB

Neil Balfour - Avant et après l'audio avec le PIB

Regarde ce test que Neil Balfour a fait pour montrer la différence entre chanter dans un espace non traité et utiliser deux PIB pour créer une cabine vocale.

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